An Analysis Of Maurice Ravel 's Le Tombeau De Couperin.
Differences in compositional approach by Debussy and Ravel will be elaborated on in the second part of the study, a comparative analysis of their piano works based on the same material, namely the Ondine legend. A detailed stylistic analysis of the two works shows how differently each composer approached the same subject.
A COMPARATIVE ANALYSIS OF COMPOSITIONAL STYLES EXEMPLIFIED IN FOUR SELECTED PIANO WORKS by MARIE MAY VANCE B.M. Montana State University, I960 Presented in partial fulfillment of the requirements for the degree of Master of Music MONTANA STATE UNIVERSITY. 1962. Approved by: Chairman. Board of Dean, Graduate School MAY 2 1 1962 Date.
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The reader may wish to periodically consult the complete macro analysis in figure 1 during the course of the discussion. As implied by the title, Ravel's Sonatine is a neo-Classical work. Thus, one might expect to find the harmonic motion of the piece to be relatively traditional. To some extent, this is entirely true.
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In this study we examined infants' long-term memory for two complex pieces of music. A group of thirty 7.5 month-old infants was exposed daily to one short piano piece (i.e., either the Prelude or the Forlane by Maurice Ravel) for ten consecutive days. Following the 10-day exposure period there was a two-week retention period in which no exposure to the piece occurred.